![]() With every donation, 40 kg of blue-green algae can be removed from the Baltic Sea through John Nurminen Foundation’s projects. The campaign raises funds to help save the Baltic Sea and its heritage. But the seas are there all the time, and the sea’s plants and animals suffer year-round.”įor every sold Moments, we donate 10 € to the #OURSEA campaign by Moomin Characters LTD. But when autumn comes, it’s easy to forget about the dirty seas. In the summer, when the blue-green algae bloom, most of us think about the environment. “I also hope the wearer to be reminded to take care of our nature, all year round. During darker times, you are reminded of the past summer, or you can dream about the coming summer.” “My vision is that Moments is seen as a beautiful piece of jewellery that suits all ages and all occasions, all year round. It hangs beautifully from a 50 cm Venezia chain. The Moments necklace is handmade in Finland of recycled sterling silver. Tove was great at getting movement and energy into her drawings, and I wanted that to be captured in Moments.” “I wanted the necklace to have a vibrant and energetic shape, and that’s why it was so important to have two moving parts. The seashell is important for the Baltic Sea ecosystem and also personally to me because I love collecting beautiful rocks, shells, and other beach finds, just as Moomintroll.” The seashell as a symbol felt like a natural choice: it is associated with the sea and is often seen in the Moomin world. “I wanted to use a symbol that everybody was familiar with. ![]() History and Archaeology Research subject Research Profiles 2009-2020, Intercultural Studies Identifiers URN: urn:nbn:se:du-35770 ISI: 000585398500007 OAI: oai:DiVA.“It was mainly Tove Jansson’s love of the archipelago and the sea that inspired me”, Lina Simons begins telling the story behind the Moments necklace, her tribute to the Moomin family and the Baltic Sea that inspired the Moomin stories. Place, publisher, year, edition, pages2020. Barthelemy within the novels reflect Swedish society's growing failure to find meaning in colonialism and its inability to consider a white Swedish protagonist to be much more than a witness of historic cruelty. They turn from active participants in slave society to passive observers of it, in De Ofria (2017) going so far as rejecting their own status as protagonist within the novel. This is manifested in themes of guilt, but also magic, transformation, loss of meaning and language barriers, with protagonists struggling to justify their place in slave society or mitigate its cruelties. However, as depictions of slavery become harder to reconcile with modernday perceptions of Swedish morality, the colonial milieu depicted in Swedish literature becomes increasingly strange and alienating. While in Ur Havets Skum (1945), this is framed within a logic of resisting tropical temptation and miscegenation, in Den Gudomliga On (1982) it is rather through the spreading of enlightenment and abolitionist ideals. Questions regarding Swedishness are most apparent in the early novels, where Sweden is depicted as a civilizing force, creating order in a chaotic environment. Barthelemy during the early nineteenth century, in order to examine changes in the perception of Swedish colonialism and slavery during the late twentieth and early twenty-first century. ![]() This article reviews four novels, published between 19 and set in the Swedish-Caribbean colony of St. The definition of lingonberry in the dictionary is a dark red, soft berry. 498-528 Article in journal (Refereed) Published Abstract
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